[mundo]

И всё таки я вынесу эту ссылку сюда из комментариев, потому что не хочу её потерять.
Создатель и сценарист Ганнибала Брайан Фуллер рассказывает о том как и каким он хочет показать главного персонажа, какие отношения он выстраивает между Уиллом и Лектером, в какой последовательности будет рассказана история (скажу сразу что сезонов планируется снять 7!) и почему он окружает Уилла обстановкой кубриковского Сияния.
Под ссылками "далее" идут большие статьи. Я сама ещё не всё успела прочитать, но там есть в чём поковыряться.

On taste: ‘One of the first calls I made to my agent was how do I get in contact with Jose Andres because I want the food world of Hannibal Lecter to be very specific and distinct and respectful to someone as a chef.” […] “One of my first questions [was], “What can you eat on the human body?” And he said, “Everything. You can eat everything. You can grind the bones into gelatin to use in Jell-O molds.”’
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On Lecter: “[Hannibal] also recognized when people were not respectful of their rules or place in society and were rude, and felt that they deserved to have those places revoked. So if you’re a pig of human being, you deserve to be Hannibal Lecter’s bacon.”
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“[The show begins] before he was incarcerated, so [Lecter is] more of a peacock. There is a cheery disposition to our Hannibal. He’s not being telegraphed as a villain. If the audience didn’t know who he was, they wouldn’t see him coming. What we have is Alfred Hitchcock’s principle of suspense — show the audience the bomb under the table and let them sweat when it’s going to go boom. So the audience knows who Hannibal is so we don’t have to overplay his villainy.”
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On the Kubrick homages: “Every show I’ve done I wanted to build a bathroom that looked like that space [the bathroom from The Shining]. What’s so remarkable about it is it’s a purely psychological space. … It’s like they dipped the entire set in blood. … I understood watching it as a 10-year-old that this was psychological storytelling.” […] “[Director] David Slade and I had long conversations about the Kubrick-ian feel of this show. We are telling the story of a man who makes his living with his imagination who slowly loses his mind over the course of the season.”
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On the timeline: “Well, we were looking at our timeline and saying, “Season 4 is Red Dragon”, so where Will is psychologically in terms of his confidence and approach to solving these crimes? We would see Molly in Season 3, and that’s when we would introduce that character.” […] “it’s absolutely 13 episodes a season. For me, Red Dragon is Season 4, and splitting the time over Season 5 and Season 6 would be the era of Silence of the Lambs”
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On Will’s ‘empathy mode’: “We call them the “flim-flum,” which is just the sound of the pendulum, but it’s a pendulum that — there’s a line in Red Dragon when Will Graham goes to look at the crime scene. Thomas Harris has a line about how “In his mind a pendulum swings through the darkness.”
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On Lecter and Will’s relationship: “It really is a love story, for lack of a better description, between these two characters. As Hannibal has said [to Graham] in a couple of the movies, ‘You’re a lot more like me than you realize.’ We’ll get to the bottom of exactly what that means over the course of the first two seasons. But we’re taking our sweet precious time.”
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эту прекрасную подборку я взяла здесь
theumbrellaseller.tumblr.com/post/47429904632/w...